Under the mental emotional about, the artist's visual selection are changing, in the natural looking for meets the needs of their own emotional and spiritual value corresponding to the form and language in the process of the artist's inner aesthetic also changed accordingly, and this change is mapped to the artist's visual selection methods and forms, therefore, the history of the visual form of all sorts of change, also reflected the period of their respective aesthetic development.
The choice of artistic vision affects the transformation of objective image to artistic image.
Next, I want to discuss this problem through the analysis of several typical art images in art history.
In medieval religious fanaticism, people were imprisoned in their own "prisons" where they could not see the darkness and were encouraged by a devotion to god.
The description of the burning flame and the eternal hell, the religious concept of the bright heaven and the paradise world, are the source and power of inspiring the painter's creation.
Many painters treat paintings with this kind of thinking and belief, of course, they don't pay attention to the facsimile of natural images,Large Canvas Art Sale but pay attention to listening to the images and the calling of the soul, and use lines, forms and colors to build another world outside of nature, expressing the artist's religious spirit.
From the organizational relationship of the picture itself and the expression of the image, we can savor its own intrinsic value, which is also the way and frame of the transformation of the natural image by the artist at that time.
It can be said that this religious atmosphere creates the "inner prison" in the artist's heart, and it is this "inner prison" that restricts the freedom of the soul and the sublimation of the spirit.
But with the arrival of the latter stage of humanism, a passion is developing.
Renaissance painting, guided by the scientific spirit, use can be master of light and shadow and form image to lure us to capture the visual in nature and elusive thing, that is to find out the real part of human nature in the factors in objective image, the artist's translation from the objective image that look clear image, maybe we will immediately recognize they belong to us in the present part of real life ever had - make us to produce a reliable perceptions, more human nature is accompanied with the surface of the subject and objective image, content and form of transformation into a motif.
Leonardo Da Vinci's masterpiece "Mona Lisa", embodies the rational modeling features,Large Wall Art and eternal virgin holy picture charming smile, although with the religion in the middle ages, but the accurate portrayal of the human body structure, leonardo Da Vinci and the processing of ideal performance of light and space, make the picture again in real life, the image of the female's gentle and kind.
The sculptures and murals of Michelangelo, the master of every family, reflect the precise anatomy and real physical structure. The rational arrangement of degree and quantity of human body makes its image form a compact and powerful consistency.
The work also greatly strengthens the force of lines and forms, as well as the inherent tension. It fully embodies the great body and the tragic spirit of heroism, such as David and night.
Michelangelo these image not only has real simulation to the object, and it also implies the real "unlike", the image of the body after the artist rational processing, sometimes to go with a generous, through art language transform nature as human's ideal image, reflected the Renaissance rational humanism color.